Gain, Dry/Wet mix and A/B comparison controls complete the picture, along with a modest library of presets. There's also a no-frills EQ, comprising a Low shelving band at 460Hz, a Mid bell at 3kHz, and a High bell at 12kHz - useful, but it would benefit immensely from the addition of low- and high- pass filters. For stereo widening and thickening, the Width knob adjusts the level of the M/S sides component, and the Chorus knob dials in a pitch-modulated, delayed signal. ![]() ![]() ![]() The Decay knob is then used to scale the length of the tail to anywhere from 25-130% of its original length, while the Attack and Predelay controls fade and offset the reverb by up to 150ms (to be raised to 350ms, we're told).
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